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"Capitol
Steps: Politics Takes a Holiday! New Year’s Edition" will air on
Thursday, January 1st at 7:00pm |
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2) |
"Inside Out: Nursing, A
Shortage" will air on Saturday January 2, 2010 at 4:00pm. |
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3) |
"Florida
Free Speech Forum featuring Stanley
K. Smith, professor
of economics and the director of the Bureau
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of
Economic and Business Research (BEBR) at the University of Florida,
speaking on |
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"Florida’s Population Growth: Where It’s Been and Where It’s Going" will air on Sunday,
January 3, 2010 at 11:00am. |
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4) |
"Inside Out: The Quality Of
Death, End Of Life Care" will air on Saturday, January 9, 2010 at
4:00pm. |
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5) |
"Inside Out: This Doctor
Can't See You Now" will air on Saturday, January 16, 2010 at 4:00pm. |
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6) |
"Inside Out:
The Vanishing Middle Class" will air
on Saturday, January 23, 2010 at 4:00pm. |
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7) |
"American Radio Works: Rising by
Degree" will air on
Saturday, January 30, 2010 at 4:00pm. |
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"The Ebčne Quartet" - will air on
Sunday, January 24th at 2:00pm on the Sunday Show. |
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Click here for details. |
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Sunday, January 24th at 2:00pm on the Sunday Show |
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The Ebčne Quartet |
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Program |
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Haydn: String
Quartet in D Major, Op. 71, No. 2 |
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Beethoven:
Quartet in F Major, Op. 18, No. 1 |
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Beethoven:
Quartet No.
7 in F Major Op. 59, No. 1 |
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Theme From Pulp
Fiction by Dick Dale & His Del-Tones (Miserlou) arr for
St Qt by Ebčne Quartet |
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Pierre Colombet: violin |
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Gabriel Le Magadure: violin |
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Mathieu Herzog: alto |
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Raphaël Merlin: violoncello |
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Seeing the
Ebčne Quartet perform live is "…an exciting, almost life-changing
event." |
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This performance is a part of a two-season Beethoven Cycle. Begun during
the 2007-08 Season, the Beethoven Cycle is a series of concerts that
will present some of the best musicians in the world performing
Beethoven’s string quartets. |
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A String
Quartet That Can Easily Morph Into a Jazz Band praised The New York
Times’ Alan Kozinn after hearing the Quatuor Ebčne perform in March
2009. |
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Mesmerized, Mr.
Kozinn describes how the four musicians first performed Haydn and
Debussy before – following the intermission
– performing their own arrangement of the
music from the movie "Pulp Fiction", improvising to Chick Corea’s
"Spain", and finally closing with an encore in which the quartet unveils
the vocal talents of an excellent a capella quartet. |
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There is no doubt: These four French musicians have class and are
perhaps the most creative ensemble on the international chamber music
scene today. No other quartet moves with such ease and enthusiasm
between different styles and, even if the foursome only rarely presents
live programs that combine classical music and Jazz, "The other Ebčne"
page on the quartet’s website offers visitors several music clips of
their more contemporary arrangements, an integral part of the ensemble’s
repertoire. |
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Rather unusual in today’s world of chamber music, the Quatuor Ebčne’s
stylistic acrobatics may at first meet defiant ears, due in part to the
general misuse of the term "crossover", which so often serves to cover
mediocrity and redundancy. And yet, with the Ebčnes, whenever they
create a new work, it is always with taste and integrity.
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Nevertheless, the quartet’s traditional repertoire does not suffer in
any way from its love of Jazz. On the contrary, it would seem that the
Ebčnes’ tendency to delve into the "other side" of music inspires their
work in untangling and giving new life to classical works. During its
performance at the Hitzacker summer festival in 2009 for example, the
quartet was heard playing a quartet by Haydn with such spontaneity, it
gave the impression that this music, over 200 years old, was somehow
just composed. There is, in French ensemble music today, a certain élan,
which suits modern chamber music particularly well. This new generation
of French musicians, their hearts full of passion for tradition, have
been captivating audiences with great success, converting listeners into
avid fans of the chamber music genre. Their performance is so
convincing, their stage presence so charismatic, that one cannot escape
the spellbinding magic of these masterpieces. |
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The Quatuor Ebčne has studied extensively with the Ysaye Quartet in
Paris as well as with the eminent Gábor Takács, Eberhard Feltz et György
Kurtág. Since its dramatic 2004 triumph at the prestigious ARD
international competition in Munich, where the quartet was also awarded
five additional special prizes, the Ebčnes have gone on to win the
Forberg-Schneider Foundation’s Belmont Prize in 2005. It has since
remained close to the foundation, which very generously arranged to have
the quartet outfitted with several unique Italian instruments, on loan
to the quartet members from private owners. |
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From "promising young ensemble", the Quatuor Ebčne has grown to become
one of today’s foremost quartets on the international scene. Recently
the foursome was specially selected to take part in the BBC’s esteemed
"New Generation Artists" scheme, closely supported by the
Borletti-Buitoni Foundation, which sponsored their first, critically
acclaimed live recording of works by Haydn as well as a second CD
entirely devoted to works of Bartók. |
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2009 also marked the beginning of an especially fruitful collaboration
with the Virgin Classics label. The quartet’s Debussy, Ravel and Fauré
recording was recently awarded "Recording of the Year" by the
prestigious magazine Gramophone as well as "Chamber Music Record of the
Year" by ECHO-classik. The Ebčnes’ latest recording of works by Brahms,
featuring pianist Akiko Yamamoto, demonstrates once again, the quartet’s
ease in a range of styles. |
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A Jazz and World Music album, entitled Fiction, is scheduled for release
in 2010. Who knows, perhaps the Ebčnes may hit all the top charts? With
this ensemble, it’s clear that anything is possible. |
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