Produced with support from the Institute of Museum and Library Services.
August 2008 Specials on Classic 89 and Nature Coast 90
| 1) | "The Erickson Lecture Series featuring Manish Mishra on the Politics of Gender" will air on Wednesday, August 6th at 6:30pm. Click here for details. |
| 2) | "Pete Seeger: How Can I Keep From Singing Part 1" will air on Sunday, August 3rd at 5:00pm. Click here for details. |
| 3) | "Pete Seeger: How Can I Keep From Singing Part 3" will air on Sunday, August 10th at 5:00pm. Click here for details. |
| 4) | "Hearing Voices - Bugs & Birds" will air on Saturday, August 16th at 12:00noon. Click here for details. |
| 5) | "A League of Women Voters Forum Special will air on Sunday, Agust 17th at 12:00noon. |
| 6) | "Pete Seeger: How Can I Keep From Singing Part 3" will air on Sunday, August 17th at 5:00pm. Click here for details. |
| 7) | "A Women for Wise Growth Candidate Forum Special - Part 1" will air on Wednesday, August 20th at 6:30pm. |
| 8) | "Discoveries at Disney with John Adams" will air on Thursday, August 21st at 10:00pm. Click here for details. |
| 9) | "A Women for Wise Growth Candidates Forum Special - Part 2 will air on Saturday, August 23rd at 12:00noon. |
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"Remembering Karajan - Part 1" will air on Tueday, August 26th at 8:00pm. Click here for details. |
| 11) | "America Abroad - Integrating Islam" will air on Wednesday, August 27th at 6:30pm. Click here for details. |
| 12) | "Remembering Karajan - Part 2" will air on Wednesday, August 27th at 8:00pm. Click here for details. |
| 13) | "Van Cliburn: Music and Diplomacy" will air on Thursday, August 28th at 8:00pm. Click here for details. |
| 14) | "Saving the Sierra" will air on Saturday August 30th at 12:00noon. Click here for details. |
| 15) | "Whole Lotta Shakin" will air on Saturday August 30th from 8:00pm - 2:00am. Click here for details. |
| 16) | "Willie Nelson - My Own Peculiar Way" will air on Sunday, August 31st at 4:00pm. Click here for details. |
| Wednesday, August 6th at 6:30pm | ||||
| The Erickson Lecture Series featuring Manish Mishra on the Politics of Gender | ||||
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| Having traveled extensively throughout the world, Rev. Mishra has lived in India, Oman, Finland, and for brief periods in Switzerland. This international exposure gave him the opportunity to live in countries where Hinduism, Buddhism, Islam, and Christianity have helped define the cultures. His brings this multi-religious appreciation to his ministry, and draws on a variety of faith traditions and narratives in his preaching and worship. | ||||
| As a former educator, Rev. Mishra has a deep sense of love for children and youth, and an appreciation of how spiritual growth and development are lifelong processes for all of us. As a former diplomat, he is an accomplished preacher and an effective public spokesperson. |
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| Sunday, August 3rd, 10th, & 17th at 5:00pm | ||||||||
| Pete Seeger: How Can I Keep From Singing | ||||||||
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| Seeger's commitment to American folk music is rivaled only by his commitment to using music for social change. Throughout the 1940s, he was singing topical and union songs. He began with Woody Guthrie and the Almanac Singers, and then in the '50s joined the Weavers, a popular folk quartet, whose recording of "Goodnight Irene" became the number-one selling song of 1950. But at the height of their popularity, the group was blacklisted and put under FBI surveillance for their politics, forcing Seeger to spend much of the '50s battling HUAC (House Un-American Activities Committee) for his right to sing. | ||||||||
| In the 1960s, folksongs — Seeger's civil rights and anti-war protest songs — spoke to a new generation of fans. Then he turned his attention to environmental causes, such as cleaning up the Hudson River, with the Sloop Clearwater. He was green before "green" was cool. | ||||||||
| Today at age 89, Pete Seeger still performs on occasion, adding to his many accolades, which include a 1993 Grammy Lifetime Achievement Award, a 1994 Presidential Medal of the Arts and in 1996, an induction into the Rock and Roll Hall of Fame. As of April 2008, some 18,000 people had signed a petition to nominate Seeger for a Nobel Peace Prize. |
| Saturday, August 16th at 12:00noon | |||
| Hearing Voices - Bugs & Birds | |||
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| Thursday August 21st at 10:00pm | |||||
| Discoveries at Disney with John Adams | |||||
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| Born and raised in New England, Adams learned the clarinet from his father and played in marching bands and community orchestras during his formative years. He began composing at the age of ten and heard his first orchestral pieces performed while still a teenager. The intellectual and artistic traditions of New England, especially the Boston Symphony Orchestra and Harvard University, helped shape him as an artist and thinker. After earning two degrees from Harvard University, he moved to Northern California in 1971 and has ever since lived in the San Francisco Bay area. | |||||
| Tuesday, August 26th at 8:00pm | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Remembering Karajan - Part 1 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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The program, which is in two parts with each part lasting approximately two hours, features extracts from mammoth size centenary releases that EMI and Universal are bringing out - a sure sign of the continuing demand for Karajan’s art and the continuation of his powerful effect on music-lovers nineteen years after his death. They cover the vast majority of his career, from his young years when he was “Das Wunder Karajan” up to his final days when, as some of the contributing artists reveal, he still mesmerized musicians who performed with him. |
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Among those remembering Karajan are tenor José Carreras, baritone José van Dam, baritone Dietrich Fischer-Dieskau, soprano Mirella Freni, soprano Barbara Hendricks, flautist Sir James Galway, soprano Sumi Jo, pianist Yevgeni Kissin, tenor Luciano Pavarotti, tenor Jon Vickers, present and former members of the Berlin Philharmonic, Philharmonia and Vienna Philharmonic Orchestras, former President of EMI Classics Peter Alward, and former Head of Opera at Decca Records Christopher Raeburn. There is also archive material of Herbert von Karajan himself in conversation. |
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| Karajan is heard conducting music by Bartók, Beethoven, Brahms, Bruckner, Debussy, Dvorak, Mozart, Prokofiev, Ravel, Respighi, Schumann, Johann Strauss, Richard Strauss, Stravinsky, Tchaikovsky, Verdi, Wagner, Waldteufel, and Weber. There are orchestral works, concerti and operas. There are also clips of Maestro von Karajan in rehearsal. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Hosting and producing REMEMBERING KARAJAN is Jon Tolansky. He is teaming up once again with Executive Producer Steve Robinson, the WFMT Radio Network’s Senior Vice-President and General Manager. With Tolansky he has overseen the Network’s portrait profiles of Maria Callas, Dietrich Fischer-Dieskau, Sir Edward Elgar, Renée Fleming, Angela Gheorghiu, Carlo Maria Giulini, Lotte Lehmann, Luciano Pavarotti, Dmitri Shostakovich, Renata Tebaldi, and Arturo Toscanini. |
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Please Note: The first 2 hours of this program will trace the main historical landmarks of von Karajan’s career with recordings spanning a period from his very earliest discs in 1939 to his final recorded performances in 1989. this section of the program concentrates mainly on his orchestral performances. A more complete listing will be made available with the release of this program.
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| Wednesday, August 27th at 6:30pm | ||||||||||||||||
| America Abroad - "Integrating Islam" | ||||||||||||||||
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On this edition of America Abroad,
we’ll look at multicultural and integration models of
immigration in |
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| Wednesday, August 27th at 8:00pm | |||||||||||||||||||||||||||||||||||||||||||||||||||
| Remembering Karajan - Part 2 | |||||||||||||||||||||||||||||||||||||||||||||||||||
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The program, which is in two parts with each part lasting approximately two hours, features extracts from mammoth size centenary releases that EMI and Universal are bringing out - a sure sign of the continuing demand for Karajan’s art and the continuation of his powerful effect on music-lovers nineteen years after his death. They cover the vast majority of his career, from his young years when he was “Das Wunder Karajan” up to his final days when, as some of the contributing artists reveal, he still mesmerized musicians who performed with him. |
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Among those remembering Karajan are tenor José Carreras, baritone José van Dam, baritone Dietrich Fischer-Dieskau, soprano Mirella Freni, soprano Barbara Hendricks, flautist Sir James Galway, soprano Sumi Jo, pianist Yevgeni Kissin, tenor Luciano Pavarotti, tenor Jon Vickers, present and former members of the Berlin Philharmonic, Philharmonia and Vienna Philharmonic Orchestras, former President of EMI Classics Peter Alward, and former Head of Opera at Decca Records Christopher Raeburn. There is also archive material of Herbert von Karajan himself in conversation. |
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| Karajan is heard conducting music by Bartók, Beethoven, Brahms, Bruckner, Debussy, Dvorak, Mozart, Prokofiev, Ravel, Respighi, Schumann, Johann Strauss, Richard Strauss, Stravinsky, Tchaikovsky, Verdi, Wagner, Waldteufel, and Weber. There are orchestral works, concerti and operas. There are also clips of Maestro von Karajan in rehearsal. | |||||||||||||||||||||||||||||||||||||||||||||||||||
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Hosting and producing REMEMBERING KARAJAN is Jon Tolansky. He is teaming up once again with Executive Producer Steve Robinson, the WFMT Radio Network’s Senior Vice-President and General Manager. With Tolansky he has overseen the Network’s portrait profiles of Maria Callas, Dietrich Fischer-Dieskau, Sir Edward Elgar, Renée Fleming, Angela Gheorghiu, Carlo Maria Giulini, Lotte Lehmann, Luciano Pavarotti, Dmitri Shostakovich, Renata Tebaldi, and Arturo Toscanini. |
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Please Note: The second half of this 4-hour program concentrates on von Karajan’s performances in concerto and opera repertoire. |
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| Saturday August 30th at 12:00noon | ||||||||||
| Saving the Sierra | ||||||||||
| Grassroots Solutions for Sustaining Rural Communities | ||||||||||
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Saving
the Sierra is a sweet hour spent in the mountains of eastern
California and among the people who inhabit them. Catherine Stifter
and jesika maria ross' beautifully conversational narration allows
the listener to feel at home in this region. The piece builds on
this with more conversations with locals of various stripes, each of
whom speak to their particular concerns for the future, most of
which have to do with encroaching urbanization. I'd imagine this
piece could be a good handbook for rural communities around the
country, all of whom face similar futures. This is such a nice
example of how radio can be used to express a community's divergent
voices, and ideally build the community it comes from. This is a
beautifully crafted piece of radio, with plenty of beautiful sound
of the mountains, and moved along by original piano music.
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| Other Stories From The Saving The Sierra Series | ||||||||||
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| SaturdayAugust 30th from 8:00pm - 2:00am | |||||||||
| Whole Lotta Shakin | |||||||||
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| 3. The Cradle of the Stars - 10:00pm --- A radio revolution was launched in Shreveport, La., with the Saturday night broadcasts of "The Louisiana Hayride." That show broke the rules and took programmatic risks by putting on young rockabilly artists, introducing Elvis Presley, Johnny Cash and Carl Perkins to a large audience. Its colorful emcee, Horace Logan, appeared on stage decked out in a black cowboy outfit complete with a pair of six shooters. Its hook-up on the CBS Radio Network enabled it to reach listeners coast to coast, and its first star was the hillbilly Shakespeare, Hank Williams. This part of "Whole Lotta Shakin'" tells the story of the rise and fall of that influential radio program, one that made so many artists famous, it was dubbed, "the cradle of the stars." | |||||||||
| 4. Real Wild Child - 11:00pm --- Jerry Lee Lewis grew up praising the Lord and playing piano in the Pentecostal Church in Ferriday, La. His church is known for its ecstatic services, where worshipers who feel the Holy Ghost "speak in tongues." Much of the emotional abandon in Lewis' songs comes straight from that experience. Yet his fame in the secular music world created all kinds of spiritual conflicts. "Real Wild Child" tells the story of one of Lewis' most celebrated songs, "Whole Lotta Shakin' Going On," which launched his career in 1957. He had the Sun Records rhythm section backing him up, who were also members of one of the wildest rockabilly acts ever, Billy Lee Riley and His Little Green Men. | |||||||||
| 5. Shake This Shack - 12:00 Mid --- Texas is home to a style its creators dubbed "Cat Music," for the "cool cats and kittens" who played it with their hip dress and on-stage demeanor. Texas rockabilly artists mixed Western swing, the blues and jazz, and included Sid King & the Five Strings and Lew Williams. "Shake This Shack" also profiles Roy Orbison, one of the most enigmatic of the rockabilly cats, who came from the tiny, wind-swept oil town of Wink, Texas. He formed a teenage band, The Teen Kings, who played at high school dances and rowdy honky-tonk bars before recording their first hit, "Ooby Dooby." Yet it took several years of experimenting with new sounds before Orbison developed his own operatic-rock style of singing that was a departure from his raw rockabilly, with such hits as "Pretty Woman" and "Only the Lonely." | |||||||||
| 6. Rave On - 1:00am --- "Rave On" profiles a true American original, Buddy Holly, who crossed musical barriers in forging his unique musical style with country, R & B, pop, gospel and jazz. Like rockabilly itself, his national career was brief, but in the 18 months between his first hit "That'll Be the Day" and his death in a plane crash, he left his mark on popular music. The Beatles named themselves as a tribute to his group, The Crickets. "Rave On" explores Holly's musical roots and meteoric rise with interviews from family members, band mates and fellow musicians. And it tells the stories behind his most famous songs, from "Rave On" to "Peggy Sue." | |||||||||
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| Sunday, August 31st at 4:00pm | ||||||
| Willie Nelson - My Own Peculiar Way | ||||||
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| Willie continued writing and selling music until December of 1970 when his house burnt down. Nelson packed up his things and headed back to Texas. After living in Nashville for ten years, Nelson had forgot about the lack of musicians in Texas. With very few candidates in the market for buying Willie's music he soon became hard-pressed to sell anything. Since he couldn't write and sell music, Nelson did the next best thing; he began performing his own work. Within the first year back in Texas, Willie had recorded two albums, "Shotgun Willie" and "Phases And Stages". By 1973, as his popularity grew, he started an Independence Day picnic that has grown and is still around today. Then came 1975. One of his almost nameless albums, "Red Headed Stranger", was introduced to the charts. It was a smash success, placing the name Willie Nelson in the spotlight. This prompted a collection of older Nelson music, released on one album, "Wanted: The Outlaws". This Nelson album, with over 1,000,000 copies, became the top selling country music album in history. | ||||||